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Ever since the Speed Trainers, the father of two started buying Balenciaga clothes as well. Getting first dibs on Balenciaga's shoe collection became much easier for Big Boy eventually, since the brand's Singapore-based manager, Adrian Deguican who was with Big Boy and Milton during their Paris adventure is a long-time friend of the Uratex heir (oh yeah, that's another one of Bigboy's many hats). For a year, Bigboy would purchase the latest from Balenciaga, which he would keep for himself, or give to his relatives, or sell at cost. When his friends would go to Singapore, he would recommend that they check out the items at the Balenciaga store in the city. Soon fila gold enough, Big Boy got the luxury house's attention.

While Cristobal Balenciaga never became a household name to the extent of his contemporaries such as Coco Chanel, Christian Dior and Hubert de Givenchy, his reputation and influence within the fashion industry is unparalleled. Known as a tireless innovator, he continuously experimented with new cuts, fabrics and techniques in pursuit of his own very personalised notion of beauty. By applying structural and architectural principles to lift clothes off the body, he helped to redefine the shapes and silhouettes of women's fashion. Cassie Davies-Strodder: Balenciaga maintained strong links with Spain throughout his career with fashion houses in San Sebastian, Barcelona and Madrid operating under the name of his sister label EISA'. At the time when he moved to Paris in 1937, Spain was in the midst of a civil war which had a detrimental effect on all industry, including fashion.

Balenciaga grew up in a small fishing village in northern Spain where his mother was a seamstress. At the age of 12 he was apprenticed to a local tailor where he honed his attention to detail, exquisite cutting skills and mastery of fabric, before setting up his Spanish fashion label EISA in 1917. Consequently, when he arrived in Paris in 1937, he had already amassed over 20 years' experience before setting up his revered fashion house at 10 Avenue George V. Cassie Davies-Strodder: Unlike most of his contemporaries who would draw a quick sketch to be interpreted into a design by the workroom, Balenciaga was skilled in all aspects of the making process, from the cutting, assembling and draping of a garment to the fitting and finishing.

He courted controversy in 1956 when he barred the press from his initial showings to clients and buyers. Concerned with fila tractile men's trail running shoes protecting his designs from illegal copies, Balenciaga made journalists wait for a month before they could view or publish them. His disciple Hubert de Givenchy joined him in his stand, and for 10 years the two were such beacons of the fashion world that international journalists made additional trips to Paris just to cover their shows. During his salon shows, Balenciaga hid behind the curtain and refused to bow at the end, preferring the clothes to speak for themselves. This, coupled with the fact that he only ever gave one [img]http://www.dailyblogvlog.com/images/soni/fila ray-561uxv.jpg[/img] official press interview, contributed greatly to his mysterious aura.